The mind works, ideating the narrative that creates transformation. The artist’s mind and hands work in unison to shape and mould the material, turning it into a realised form. As intention and creativity merge, the artist’s narratives are amalgamated into the work, bringing depth and meaning to this phase of transformation.
Deena Pindoria’s Question To Myself 1 and 2, Untitled 1 and 14, and Peace and Violence, part of her anti-war series, reflect the influence of her heritage and historical narratives, transforming personal and cultural experiences of trauma into powerful visual statements. Viraj Khanna’s work, exploring how societal influences shape the human condition, is characterised by bold and exaggerated forms, symbolising the transformation of identity under external pressures. Through his artistic lens, he captures the interplay of personal and communal narratives, turning raw experience into intentional expressions that challenge and provoke thought. Anju Dodiya blends elements from various cultural and literary references in The Crossing, creating a dialogue between autobiography, allegory, and a broader socio-political context, allowing her art to both reflect, and challenge cultural narratives. Jayeeta Chatterjee’s The Story Is True examines the lives of middle-class women, capturing moments of reflection and everyday experience, transforming domesticity into a subject of artistic exploration. Moumita Basak draws on her memories to create narratives of connection and identity, using embroidery to explore women’s stories and highlighting the transformation of personal and collective histories. Finally, Sriparna Dutta collaborates with marginalised women to create art that addresses issues of domestic violence and societal challenges, transforming their voices into powerful textile pieces. Born from this collaboration and aptly titled The Story of Women, these serve as a testament to resilience and identity of women across socio-economic sectors.